《抽象中德艺术家三人展》

作者：佚名文章来源：自助投稿点击数：更新时间：2006-11-15

《抽象中德艺术家三人展》

策展人：阿兰（加拿大）马杰（菲律宾）

参展艺术家：日出（中国）皮特伊格尔（德国）胡又笨（中国）

展览时间：2006年11月18日——11月28日

开幕酒会：2006年11月18日下午2：00

展览地点：通州宋庄小堡上上美术馆

执行馆长：李广明余峰

馆长电话：89579853

联系人：日出 13051931662 89579848

ABSTRACT PAINTINGS BY THREE ARTISTS FROM CHINA AND GERMANY.

ORGANIZERS: ALAIN CISLAGHI AND MAJE REBUENO

EXHIBITING ARTISTS: SUNRISE (CHINA)

PETRA JAGER (GERMANY)

HU YOU BEN (CHINA)

OPENNING DATE AND COCKTAILS: 2:00 PM, SATURDAY, NOVEMBER 18, 2006

EXHIBITION DATE: NOVEMBER 18 - 28, 2006

EXECUTIVE DIRECTORS: LI GUANG MING AND YU FENG

VENUE: SUNSHINE MUSEUM

XIAO PU VILLAGE,SONGZHUANG, TONGZHOU,BEIJING

TELEPHONE: 69598654 OR 89579853

ROUTE: FROM BEIJING RAILWAY STATION OR BY GUO MAO BUS 938 - 9 TO XIAO PU

艺术家简介：

胡又笨

1961年生于北京。保定画院一级美术师。

1987年至1989年进修于北京画院、广州美院、中国美院

个展

2005年德国慕尼黑

2005年德国克龙

1999年法国巴黎

1997年北京中国美术馆

群展

2006年北京宋庄水墨当代展

2006年南京水墨文献展

2005年德国敦伦博物馆百年现代艺术庆典

2005年德国魏码现代艺术展

2005年天津现代艺术展

2004年湖北《美术文献》提名展

2003长春国际雕塑展

2003 福州国际雕塑展

2002《广东艺术三年展》广东美术馆

2002《中国艺术三年展》广东艺博院

2002北京香格里拉文献展

2001《西部 · 西部当代艺术展》西安美院

2001《中国水墨二十年》广东美术馆

2001《重新洗牌》深圳雕塑院

2001《中国现代艺术展》中国展出公司赴美国巡回展

2001《桥·中国当代艺术展》意大利巴里

2000《（世纪之门）当代艺术展》四川成都

2000《中国艺术大展》上海刘海粟美术馆

1999德国波恩《方向艺术展》

1999上海双年展

1999《（传统反思）当代艺术展》北京德国大使馆

得奖

2005年德国敦伦博物馆银奖

2004年湖北《美术文献》学术奖

德国波恩现代艺术博物馆

德国魏码展览馆

德国敦伦博物馆

香港美术馆

上海美术馆

广东美术馆

日出简历

　　1959年生于中国-北京。

　　1984年毕业于北京教育学院美术系。

　　1980年参加中国书法学校学习，展览获优秀奖。

　　1982年北京科普美术展优秀奖。

　　1997年中国美术馆《丁绍光艺术大展》优秀奖。

　　1998年中国美术馆《北京市美术作品展》优秀奖。

　　1997年北京奇然大酒店-画廊，艺术展--参展。

　　1998年北京-德国工商中心个人展--参展。

　　1999年北京-德国工商中心七人展--参展。

　　1998年北京-爱尔兰大使馆，艺术展--参展。

　　2000年北京-美国大使馆，艺术展--参展。

　　2000年北京-美国大使馆，图片展--参展。

　　2000年北京-德国经济技术合作中心--参展。

　　2000年北京-德国经济技术合作中心艺术展--参展。

　　2001年北京-行为艺术《串连≠旅游》作品实施。

　　2001年上海-行为作品《串连≠旅游》。

　　2001年北京-行为作品《串连≠旅游》。

　　2001年北京-凡画廊《堆积情感》五人参展。

　　2004年北京发发画廊个人作品展

2004年北京探岭画廊《新作品展》

2005年中国宋庄艺术家展参展

2006年中国宋庄艺术家展参展

Petra Jager von Rosenberg hails from

Germany

and has been living in the middle kingdom for over two years. When one glances at her CV, one can hardly avoid suspect, at the very least, a strong connection between her careers as jeweler and a painter. A similar impression the author of these lines gets from Filipino jeweler-painter-musician Maje, although these works are dissimilar in a number of ways. A systematic organization of details can be felt by the author in P’s apparent chaotic abstraction where rigorously inorganic metals compete with, while however sometimes complementing, forms full of life. The metal slashing or sheltering, the stone embedded into the fleshy or cutting through it are but a few impressions felt about her paintings.

Impression out of a random pick out of her work: It’s like a bewildering map from a mysterious, primitive, and long extinct tribal society.

Hu You Ben is a Chinese artist – more specifically hailing from the province of Bao Ding – whose works’ predominant characteristic is the texture resulting from crushed paper painted either monochromatically or in abstract multilayered colourful patterns which reminds the author of the work by fellow artist, Sunrise (also present at this exhibit). Not a newcomer to the art community, the artist has been on the battleground since the late ‘80s and has been presented, written about, and collected by local and international organizations; institutions and collectors too numerous to list on this brief introduction. More praises readily available in much of this world’s press aren’t needed to establish this gentlemen’s notoriety.

Forty- seven year old Sunrise, a pillar of the Beijing artistic community acknowledged by the people from hardcore punks in the old city to the goddamned artistic intelligentsia of the big Gray Town, has been painting since she was able to hold a brush. The author, who acquired one of her older crusts, feels that he must warn the reader of his possible favorably bent opinion before carrying on with his impression of her works although the work she decided to present to this exhibit is of abstract nature, a style he doesn’t particularly understand or appreciate as much as you might do. Colorful and devoid of any inhibition, these paintings seem to be the product of a mind (and heart) not afraid of experiencing life through use and abuse of what is available while a surprising sense of caring for the already acquired is present in the strong–armored -boundaries set between what appears to be fulfilled desires. Hey, man, you take a look and you get what THE author’s talking about.

Alain Cislaghi （加拿大阿兰艺评）

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《抽象中德艺术家三人展》

作者：佚名文章来源：自助投稿点击数：更新时间：2006-11-15
《抽象中德艺术家三人展》策展人：阿兰（加拿大）马杰（菲律宾）参展艺术家：日出（中国）皮特伊格尔（德国）胡又笨（中国）展览时间：2006年11月18日——11月28日开幕酒会：2006年11月18日下午2：00 展览地点：通州宋庄小堡上上美术馆执行馆长：李广明余峰馆长电话：89579853 联系人：日出 13051931662 89579848 ABSTRACT PAINTINGS BY THREE ARTISTS FROM CHINA AND GERMANY. ORGANIZERS: ALAIN CISLAGHI AND MAJE REBUENO EXHIBITING ARTISTS: SUNRISE (CHINA) PETRA JAGER (GERMANY) HU YOU BEN (CHINA) OPENNING DATE AND COCKTAILS: 2:00 PM, SATURDAY, NOVEMBER 18, 2006 EXHIBITION DATE: NOVEMBER 18 - 28, 2006 EXECUTIVE DIRECTORS: LI GUANG MING AND YU FENG VENUE: SUNSHINE MUSEUM XIAO PU VILLAGE,SONGZHUANG, TONGZHOU,BEIJING TELEPHONE: 69598654 OR 89579853 ROUTE: FROM BEIJING RAILWAY STATION OR BY GUO MAO BUS 938 - 9 TO XIAO PU 艺术家简介：胡又笨 1961年生于北京。保定画院一级美术师。 1987年至1989年进修于北京画院、广州美院、中国美院个展 2005年德国慕尼黑 2005年德国克龙 1999年法国巴黎 1997年北京中国美术馆群展 2006年北京宋庄水墨当代展 2006年南京水墨文献展 2005年德国敦伦博物馆百年现代艺术庆典 2005年德国魏码现代艺术展 2005年天津现代艺术展 2004年湖北《美术文献》提名展 2003长春国际雕塑展 2003 福州国际雕塑展 2002《广东艺术三年展》广东美术馆 2002《中国艺术三年展》广东艺博院 2002北京香格里拉文献展 2001《西部 · 西部当代艺术展》西安美院 2001《中国水墨二十年》广东美术馆 2001《重新洗牌》深圳雕塑院 2001《中国现代艺术展》中国展出公司赴美国巡回展 2001《桥·中国当代艺术展》意大利巴里 2000《（世纪之门）当代艺术展》四川成都 2000《中国艺术大展》上海刘海粟美术馆 1999德国波恩《方向艺术展》 1999上海双年展 1999《（传统反思）当代艺术展》北京德国大使馆得奖 2005年德国敦伦博物馆银奖 2004年湖北《美术文献》学术奖收藏德国波恩现代艺术博物馆德国魏码展览馆德国敦伦博物馆香港美术馆上海美术馆广东美术馆日出简历　　1959年生于中国-北京。　　1984年毕业于北京教育学院美术系。　　1980年参加中国书法学校学习，展览获优秀奖。　　1982年北京科普美术展优秀奖。　　1997年中国美术馆《丁绍光艺术大展》优秀奖。　　1998年中国美术馆《北京市美术作品展》优秀奖。　　1997年北京奇然大酒店-画廊，艺术展--参展。　　1998年北京-德国工商中心个人展--参展。　　1999年北京-德国工商中心七人展--参展。　　1998年北京-爱尔兰大使馆，艺术展--参展。　　2000年北京-美国大使馆，艺术展--参展。　　2000年北京-美国大使馆，图片展--参展。　　2000年北京-德国经济技术合作中心--参展。　　2000年北京-德国经济技术合作中心艺术展--参展。　　2001年北京-行为艺术《串连≠旅游》作品实施。　　2001年上海-行为作品《串连≠旅游》。　　2001年北京-行为作品《串连≠旅游》。　　2001年北京-凡画廊《堆积情感》五人参展。　　2004年北京发发画廊个人作品展 2004年北京探岭画廊《新作品展》 2005年中国宋庄艺术家展参展 2006年中国宋庄艺术家展参展 Petra Jager von Rosenberg hails from Germany and has been living in the middle kingdom for over two years. When one glances at her CV, one can hardly avoid suspect, at the very least, a strong connection between her careers as jeweler and a painter. A similar impression the author of these lines gets from Filipino jeweler-painter-musician Maje, although these works are dissimilar in a number of ways. A systematic organization of details can be felt by the author in P’s apparent chaotic abstraction where rigorously inorganic metals compete with, while however sometimes complementing, forms full of life. The metal slashing or sheltering, the stone embedded into the fleshy or cutting through it are but a few impressions felt about her paintings. Impression out of a random pick out of her work: It’s like a bewildering map from a mysterious, primitive, and long extinct tribal society. Hu You Ben is a Chinese artist – more specifically hailing from the province of Bao Ding – whose works’ predominant characteristic is the texture resulting from crushed paper painted either monochromatically or in abstract multilayered colourful patterns which reminds the author of the work by fellow artist, Sunrise (also present at this exhibit). Not a newcomer to the art community, the artist has been on the battleground since the late ‘80s and has been presented, written about, and collected by local and international organizations; institutions and collectors too numerous to list on this brief introduction. More praises readily available in much of this world’s press aren’t needed to establish this gentlemen’s notoriety. Forty- seven year old Sunrise, a pillar of the Beijing artistic community acknowledged by the people from hardcore punks in the old city to the goddamned artistic intelligentsia of the big Gray Town, has been painting since she was able to hold a brush. The author, who acquired one of her older crusts, feels that he must warn the reader of his possible favorably bent opinion before carrying on with his impression of her works although the work she decided to present to this exhibit is of abstract nature, a style he doesn’t particularly understand or appreciate as much as you might do. Colorful and devoid of any inhibition, these paintings seem to be the product of a mind (and heart) not afraid of experiencing life through use and abuse of what is available while a surprising sense of caring for the already acquired is present in the strong–armored -boundaries set between what appears to be fulfilled desires. Hey, man, you take a look and you get what THE author’s talking about. Alain Cislaghi （加拿大阿兰艺评）
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